„Bulgarian“ equals „odd“, doesn’t it?
Much has been written about the odd bars in Bulgarian folk music inside and outside the specialist literature, much more than about the even ones; see examples below. The focus on these measures is quite comprehensible, but misleading. It draws a picture of the rhythms in which the 2/4 and 4/4 measures are missing (1) and only the odds deserve interest. Weiterlesen „Two Fourths“